Writing Work
Elspeth Walker is a writer with a focus on Creative Non-fiction, Fiction and Art Writing. She has worked with various artists, and organisations creating a variety of work. She has studied BA (hons) English Literature & Creative Writing at Warwick University, and holds an MA in Writing from the Royal College of Art, London.
Walker’s writing has been published in various magazines and journals, including CLOT, Culturala, SICK Magazine, and Ache. Her pamphlet ‘Dedications’ was published by If a Leaf Falls Press in 2024. In 2022 she was runner up Young-Writer in Residence at Whitechapel Gallery with her essay The Egg of Whitechapel.
Dedications
Dedications is my first pamphlet, published with If a Leaf Falls Press in 2024.
This debut offers us a series of both very real and completely fake dedications, exploring the intimacy that is given to the often looked over part of the book.
This collection was reviewed by Elida Silvey in the New Cambridge Chapbook Review - Issue 2.
Magazines, Journals and Articles
Victorian Time Piece, Fit Notes - Ache Press, 2025 (Non-fiction Essay)
Weaving New Surfaces & Digital Realities, exploring the work of Athena Mothership - CLOT Magazine, 2025 (Artist Article)
If I were to draw a portrait of us, Home Grown - YAIS, 2024 (Poetry)
Should we be scared of AI poets?, Digitisation - Culturala, 2023 (Journal Essay)
Pub Girl, Borrowing Tomorrow’s Happiness - Take Courage Gallery, 2023 (Non-fiction Essay)
Utensils - Pamenar Press, 2023 (Visual Poetry)
Where did all the womxn artists come from?, Dissapearance - Culturala, 2022 (Journal Article)
The con-artists, Issue 3 - SICK Magazine, 2021 (Non-fiction Essay)
Port to port, Of Salt and Silt - Black Dog Zine, 2021 (Non-fiction Essay)
Peering through the porthole - Boshemia Magazine, 2021 (Non-fiction essay)
Kelly Ewing turns to digital art to push her female forms into new otherworlds - Agora Digital, 2021 (Artist Article)
Gallery Space 36, Real Magic - Papeachu Review, 2020 (Fiction)
Artists need adaptability & Whose name is on the plaque?, Descover 2020 - Descover Artists, 2020 (Journal Essay)
Lethabo Huma: Painting without a brush - Agora Digital, 2020 (Artist Article)
It’s not easy being green: Maria Mahfooz’s first solo exhibition delves into the digital and green screen - Agora Digital, 2020 (Artist Article)
Playground Rituals, Issue 1 - Black Dog Zine, 2020 (Non-fiction Essay)
The new media sculpture and performance of Colette Bernard -Agora Digital, 2020 (Artist Article)
Pamphlets & Zines
Since studying at the RCA my writing practice has evolved to explore materiality and form - writing as an object - alongside creating within the indie publishing and zine sphere.
These works are stocked across the UK at Burley Fishers Bookshop, TACO, Good Press, and Forma. They are also found at National Poetry Library, London, RCA Library, and the Beinecke Library, Yale, USA.
Many of these are also available via my online shop!
Publications:
Barcode Poetry, 2025
Haikus from the Seam-ripper, 2025
Inventory of the tops of bus shelters in London, 2025
The Moths have Returned, 2025
This Place of No Sleep, 2024
Pub Girl, 2024
Shadow Garden, 2024
The Eco-Zines, 2023
The Threads of Us, 2023
RE: Wilding of Teeth, 2023
My Perfume Ghost, 2023
The Conga Line is also for Safety, 2023
Ruderal, 2022
Tectonics, 2022
Cartography, 2022
Blued (Collaborative Zine), 2022
Oh Banana, 2022
Collaborations
For the past few years I have worked with many artists and organisations to produce written content, and collaborate to create works. From artist biographies and critical essays to exhibition texts and curatorial works, I’m always open and keen to work with people to deliver high quality and creative work.
Examples Include:
Decolonial Curatorial Kit - Collaboration with Curator Alice Kim to form a kit to help expand curators approaches to forming an inclusive exhibition space. For this we worked together, and I produced the text for the internal prompt cards.
Back-to-Earth.ware - Working with artist Chun Ning Yiu, I wrote an essay in response to their proposed outdoor sculptural spaces entitled - The Nature of Rest, which formed a booklet proposing natural forms to create better public spaces.
Liquid Gold -Mexico Artist Exchange - This collaboration was between Ramses Olaya and Araceli Gomez, where Olaya came from Mexico to exhibit in London and then Gomez put on a show at Olaya’s studio (La Superior) in Mexico City later that year. For this exchange I wrote two texts to accompany both exhibitions - Como Escbribir una Carta and Sempre Florez.